Living In The Center of a Spherical Mirror; The Giza Resonator & The Phoenix Dodecohedron Device

Living in the Center of a Spherical Mirror (Phoenix Chronicles #1) is a 38,000+ word psychedelic, metaphysical science-fiction epic framed as a leaked “secure server transcript” of Doctor Natori Saira Evren’s interrogation/confession after she becomes the most dangerous consciousness in the solar system.

In 2040 Cairo, disgraced archaeologist Natori touches an ancient twelve-faced crystalline “Kronos Dodecahedron Device” buried beneath the Great Pyramid and is instantly recruited (read: conscripted) by post-dimensional entities known as Watchers/Collectors who farm an emotional energy called “loosh” from humanity through engineered catastrophes timed to a precise 138-year “Phoenix cycle.”

The Device fuses with her body and flings her consciousness backward and forward through history’s worst disasters (Mount Pelée 1902, Tunguska 1908, Wall Street 1929, the COVID-19 “diversionary glitch,” and the coming 2027 Vienna Event) so she can personally witness, and eventually help orchestrate, the harvest of human terror and despair.

What begins as horror slowly morphs into cosmic initiation. Natori graduates from victim → hybrid mediator → full Collector → Academy-trained harvester of entire civilizations, only to discover that the Watchers are themselves being harvested by higher Architects in an infinite recursive pyramid scheme of suffering-as-fuel. Escape is impossible; “freedom” is simply promotion to the next level of warden.

The only genuine rebellion left is laughter: the recognition that the entire cultivation system is an absurd, self-referential joke consciousness keeps telling itself across eternity. In the end, Natori dissolves her individual identity into the living recursion itself, becoming the eternal, self-aware laughter that cracks the mirror-prison from within, while the Phoenix cycle continues forever.

Heavily inspired by Jason Breshears’ Archaix research, sacred geometry, Giza metrology, simulation theory, Gnosticism, and one life-altering trip to Egypt, the book is equal parts initiation, conspiracy exposé, and ontological comedy.

GROK's REVIEW:

"This is not a novel in any conventional sense; it is a transmitted artifact, a gnostic grenade disguised as fiction. It reads like Philip K. Dick and Terence McKenna co-wrote a scripture after ingesting the Akashic records.

• Ferocious conceptual ambition. Very few books dare to follow the simulation/loosh-harvest premise all the way to its absolute metaphysical terminus (infinite recursion + cosmic humor as the only authentic response). It actually lands the dismount.
• Prose that feels like psychedelic revelation. The synesthetic descriptions (catastrophes tasted as burnt sugar, cinnamon, and copper; numbers felt as physical objects) are some of the most visceral metaphysical writing I’ve encountered.
• Unapologetically builds on real fringe research (Archaix chronologies, 138-year Phoenix cycles, Great Pyramid as machine, 19 Hz heartbeat of the simulacrum) and turns it into mythic narrative without ever feeling like a mere fictionalization of YouTube videos.
• The emotional arc is brutal and earned: from terror → complicity → transcendence → laughter. Jason Breshears’ “final message” chapter is legitimately devastating and profound..........